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Cross Talk: “Normal People” Adapts Novel With Subtlety and Tenderness

“Method Gun” Explores the Possibilities of Virtual Theater

Pandemic Reading List: Books to Help You Survive Social Distancing

Cross Talk: Lady Gaga Returns to Her Roots With “Stupid Love”

Taylor Swift Lets Her Mask Slip in “Miss Americana”—But Only Slightly

Cross Talk: “BoJack Horseman” and What It Means to Move Forward

From Lovestruck to Lovelorn: Our Valentine’s Day Picks

Matt Keegan Talks Form and Collaboration

Twenty Years Later, “In the Heights” Returns to the ’92

Samsara Showcases South Asian Student Experiences

Cross Talk: “BoJack Horseman” Contemplates Whether You Can Teach an Old Horse New Tricks

In “Know My Name,” Chanel Miller Reclaims Her Humanity

“Trick Mirror” Deftly Unpacks the Chaos of the Internet Age

In “Talking to Strangers,” Malcolm Gladwell Talks Forever, Says Little

Everything You Missed at the 71st Emmys

“The Imperialist Ghost in the Neoliberal Machine” Considers the Historical Reverberations of Anti-Communist Operations

“Unbelievable” Is a Grueling Examination of Sexual Assault and Law Enforcement

Cross Talk: The Old Taylor is Alive and Well on Lover

On Norman Fucking Rockwell!, Lana Del Rey Eulogizes the American Dream

On The Center Won’t Hold, Sleater-Kinney Makes Its Biggest Leap Yet

“Derry Girls” Finds Humor in Unexpected Places

Hot Girl Summer: The Season’s Biggest Shows About Women

Spring Dance Concert Showcases Choreographic Skills

In “Small Town Eden,” Religion is the Poison Apple

Final Week of Art Theses Displays Diverse Array of Mediums

Chiu and Sachs Combine Original Compositions and Covers in Senior Recitals

Fourth Week of Art Theses Plays With Genre and Medium

Second Weekend of Music Theses Experiment With Genre and Space

Music Thesis Recitals Start Off on Strong Note

“Three Dead Jaguars” Is a High-Energy Update of the Classic Dining Table Drama

From Folk Dance to Fairytales, Senior Dance Theses Tackle Intricacies of Storytelling

Author Terry Tempest Williams Discusses Relationship Between Humans and Environment

“Snake Oil” Goes Down Smoothly

McLeod ’19’s Photo Exhibit Captures a Contentious National Monument

“Middletown” Is a Sharply Existential Take on Small-Town Life

A Guide to the Grammys, for People Who Skipped The Grammys

“Russian Doll” is More Than a “Groundhog Day” Update for Nihilistic Millenials

“This Between Shadow” Showcases Winter Session Theater Students’ Work

“Sex Education” Tackles the Absurdities of High School Hookups

The Vixen Discusses Art and Advocacy

“Bohemian Rhapsody” is All Style, No Substance

Visiting Artist Tom Pearson Discusses Upcoming Immersive Theater Course

Critic Antwaun Sargent Discusses Importance of Black Art

Millet Fellow Camille Dungy Reads From “Trophic Cascade”

Schwartz ’19 Discusses Experiences Choreographing “Building Home”

Samsara Showcases Vibrancy and Variety Within South Asian Culture

“Bloom” Tackles Love, Art, and Missed Connections

“Wrapped in Us” Plays With Environment and Genre

Badanes ’67 Discusses Unconventional Architectural Career and Philosophy

Aspiring Filmmaker Modi ’22 Talks Accomplishments and Inspirations

“Street Matter” is a Multifaceted Artistic Experience

Murder Most Foul: A Definitive Ranking of True Crime Books

Wellness Experience Provides Campus With Resources for Physical and Mental Health

Cross-Talk: “You” Contains Equal Parts Cutting Insight and Self-Indulgent Camp

Despite No Roth, the MASH Continues Showcasing University’s Diverse Musical Talent

He Said, She Said: A Definitive Ranking of Oral Histories

Despite Its Simplicity, “Crazy Rich Asians” Revitalizes the Dying Rom-Com

Olin Restoration Leaves Windows Boarded Up and Study Rooms Closed

University Welcomes 810 Members of the Class of 2022

Bolin’s “Dead Girls” Addresses Female Victimhood, On-Screen and Off

Armchair Art Critics: Five Takes on Rabineau ’20’s Usdan Creation

Starnone and Lahiri Put Dialectical Nuances in Conversation

Spring Fling Lineup Features Four Unique Artists

“The Home Project” Explores the Intimacy Between a Room and its Occupants

Neither Free Nor Fair: The Problems With Elections

“BFE” Tackles Teenage Isolation, With a Sinister Twist

“Queer Asian Art Show” Evades Thematization in Zilkha Exhibit

Dear Secular Liberals: You Have Been Hoodwinked by the Pope

“Black Phoenix Rising” is a Testament to Black Vitality and Resistance

The Terrible, Horrible, No Good, Very Bad Court Decision

“Reclaiming the Gaze” Lauds Black Art at Davison Art Center

The Problem with Private Prisons

“Lovesick” is One of Netflix’s Hidden Gems

“Riverdale” is Back in All Its Soapy Glory

Free the Seed: OSSI and the Fight for the Future of Farming

It’s As Easy As 1, 2, 3, (4): Cake!

Layli Long Soldier Reads from “Whereas”

Gaiutra Bahadur and Kaitlyn Greenidge ’04 Amplify Marginalized Voices

Hostile Architecture: A Quiet War Against the Disadvantaged

The Problem with Gender-Swapped Movies

We’ve Finally Started Putting Weapons in Women’s Hands

“The Get Down” is a Beautiful Mess

Male Privilege in the Classroom, From an All-Girls Grad

Is Laughter the Best Medicine?

Death to Cool Girl Beauty

“Riverdale” Soaps-Up Archie Comics, and the Results are Pretty, Progressive, and Fun

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