Fresh off the failure of his sitcom, John Mulaney reminds audiences what made his comedy so exciting
Blood Meridian: “Bone Tomahawk” mashes genres with reckless abandon.
Drew Goddard’s overrated horror satire is an exercise in restatement.
Stephen Falk’s “You’re the Worst” embraces the messiness of modern relationships.
As Dr. John Thackery, Clive Owen heads up “The Knick’s” stellar ensemble cast.
Danny Boyle energizes Fassbender-led “Steve Jobs.”
Ryan Murphy’s Scream Queens attempts satire with all the grace of Jason Voorhees.
Emily Blunt and Benecio del Toro carry the relentless “Sicario.”
Defective comics: “SuperMansion” turns superheroes upside down.
Eli Roth’s latest endeavor makes cannibalism toothless.
For all its messiness, “American Horror Story” keeps audiences captivated.
“Black Mass” does little to illuminate the mystery of “Whitey” Bulger.
Rather than expanding on her oeuvre, Honeymoon has Elizabeth Grant doubling down on her Lana del Rey persona.
David Simon’s “Show Me a Hero” is a blistering, low-key examination of politics and change.
Colbert’s much-anticipated return to television creates surprising results.
Wes Craven has left behind a colossal legacy on the horror genre.
From brains to post-apocalyptic roadways, this summer’s films found hits in unexpected places.
“ESQUE,” a series of performances about non-normative desire designed by a group of students in response to WesBurlesque, arrived unapologetic last weekend.
Djemba Djemba, The Julie Ruin, and Jeremih make up a diverse and surprising Spring Fling slate.
J.C. Chandor’s latest is anchored by Oscar Isaac and Jessica Chastain’s magnetic turns.
Michael Darer ’16 says Miranda July’s first novel, “The First Bad Man,” will leave the reader “speechless and restless.”
David Oyelowo assertively plays Martin Luther King, Jr. in Ava DuVernay’s biopic “Selma,” lingering in the details of a defining event in the Civil Rights Movement.
“Inception” director’s latest film is ambitious but falls short of its mark.
“Not that Kind of Girl” by Lena Dunham offers a touching, humorous, and occasionally chaotic portrait of life as a young woman in today’s world.
T-Swizzle bursts out of the woods, shakes off country sound on new album.
The Mountain Goats’ John Darnielle explores the blurred line between reality and imagination in his first novel.
The fourth installment of this biannual festival keeps fans engaged.
Interpol’s greatest new influence is, well, Interpol.