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okbauman
56 Articles
Late Night at Usdan and Uninhibited Socialization: Remembering Pre-COVID-19 Wesleyan with the Class of 2023
May 8, 2023
by Oscar Kim Bauman, Executive Editor
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A Reflection on Learning to Care About Hockey
May 8, 2023
by Oscar Kim Bauman, Executive Editor
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Original Musical “Crush! Crush! Crush!” Blends Romantic Drama With Creative Metanarrative
May 8, 2023
by Oscar Kim Bauman, Executive Editor
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WSA Votes to Establish Student Accessibility Subcommittee Under Equity and Inclusion Committee
May 4, 2023
by Oscar Kim Bauman, Executive Editor
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A Brief Guide to Smoothies at Wesleyan
May 1, 2023
by Oscar Kim Bauman, Executive Editor
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“Beef” on Netflix Is a Searing Slice of Asian American Anger
April 27, 2023
by Oscar Kim Bauman, Executive Editor
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In “Baby J,” John Mulaney Blends Vulnerability With Precision
April 27, 2023
by Oscar Kim Bauman, Executive Editor
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AASC Hosts Lynn Chen ’98 for “I Will Make You Mine” Film Screening
April 17, 2023
by Oscar Kim Bauman, Executive Editor
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“John Wick: Chapter 4” Is an Exhilarating, Violent Thrill Ride
April 6, 2023
by Oscar Kim Bauman, Executive Editor
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On 10,000 gecs, 100 gecs Keeps Us Guessing
April 6, 2023
by Oscar Kim Bauman, Executive Editor
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Oscar on the Oscars: Groundbreaking Winners and a Well-Staged Ceremony at the 95th Academy Awards
April 3, 2023
by Oscar Kim Bauman, Executive Editor
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Fall Out Boy Breaks Exciting New Ground on So Much (For) Stardust
April 3, 2023
by Oscar Kim Bauman, Executive Editor
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Oscar on the Oscars: This Year’s Best Snubbed Films, from “Nope” to “Decision to Leave”
March 6, 2023
by Oscar Kim Bauman, Executive Editor
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1 Comment
Black History Month Eclipse Event Shines Spotlight on Black Student Creativity at the Workshop
February 27, 2023
by Oscar Kim Bauman, Executive Editor
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Paramore’s This Is Why Is a Compelling, if Unpolished, Portrait of Burnout
February 13, 2023
by Oscar Kim Bauman, Executive Editor
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“Bruiser,” Directed by Miles Warren ’19, Brings Exploration of Black Masculinity to Film Series
February 9, 2023
by Oscar Kim Bauman, Executive Editor
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Oscar on the Oscars: Diving Into the Eclectic Nominees for the 95th Academy Awards
February 2, 2023
by Oscar Kim Bauman, Executive Editor
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My 2022 in 10 Albums
December 8, 2022
by Oscar Kim Bauman, Editor-in-Chief
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Letter From the Editors: Reflections on the Fall Semester
December 8, 2022
by Hallie Sternberg, Oscar Kim Bauman, Editors-in-Chief
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Rian Johnson’s Sharply Entertaining “Glass Onion” is a Worthy Sequel to “Knives Out”
December 5, 2022
by Oscar Kim Bauman, Editor-in-Chief
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My Multiracial Role Model, Spock
November 10, 2022
by Oscar Kim Bauman, Editor-In-Chief
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Reflections on Asian American Identity and Musical Expression From a Meaningful Homecoming Weekend with Kyle Shin ’20
November 7, 2022
by Oscar Kim Bauman, Editor-in-Chief
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From the Argives: The History of Metro Movies, a Middletown Mainstay
November 7, 2022
by Oscar Kim Bauman, Editor-in-Chief
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1 Comment
Cross Talk: “Bros” is a Romantic Comedy with Both Laughs and Insight
October 10, 2022
by Oscar Kim Bauman, Ben Togut, Editor-in-Chief, Assistant Arts & Culture Editor
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The Case For Watching Old Movies
September 29, 2022
by Oscar Kim Bauman, Editor-in-Chief
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Weezer Finds Fresh Feel for Fall on SZNZ: Autumn EP
September 26, 2022
by Oscar Kim Bauman, Editor-in-Chief
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Letter From the Editors: Hallie Sternberg ’23 and Oscar Kim Bauman ’23
September 8, 2022
by Hallie Sternberg, Oscar Kim Bauman, Editors-in-Chief
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Return of Mabuhay Showcase Highlights Pan-Asian Culture
April 21, 2022
by Oscar Kim Bauman, Arts & Culture Editor
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“Everything Everywhere All at Once” Lives Up to Its Title
April 18, 2022
by Oscar Kim Bauman, Arts & Culture Editor
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“Better Luck Tomorrow” Presents a Bleak, Powerful View of Asian American Life
April 11, 2022
by Oscar Kim Bauman, Arts & Culture Editor
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April Film Screenings Celebrate Asian and Asian American Culture
April 4, 2022
by Oscar Kim Bauman, Arts & Culture Editor
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Oscar on the Oscars: A Televised Fever Dream at the 94th Academy Awards
March 28, 2022
by Oscar Kim Bauman, Arts & Culture Editor
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“The Batman” Nails the Core of its Titular Hero
March 24, 2022
by Oscar Kim Bauman, Arts & Culture Editor
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Oscar on the Oscars: A Toast to the Snubbed
March 24, 2022
by Oscar Kim Bauman, Arts & Culture Editor
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James Gunn’s “Peacemaker” Perfects Superhero Streaming TV
February 28, 2022
by Oscar Kim Bauman, Arts & Culture Editor
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Oscar on the Oscars: The Academy Tries to Find a New Normal
February 24, 2022
by Oscar Kim Bauman, Arts & Culture Editor
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Film Series Honors Sidney Poitier’s Legacy With “In the Heat of the Night” Screening
February 7, 2022
by Oscar Kim Bauman, Arts & Culture Editor
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Spring Has Sprung: An Exciting Semester Ahead in the Arts
February 3, 2022
by Aiden Malanaphy, Oscar Kim Bauman, Sabrina Ladiwala, Arts & Culture Editors, Assistant Arts & Culture Editor
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Ten Albums That Brightened My 2021
December 9, 2021
by Oscar Kim Bauman, Arts & Culture Editor
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“Bruised”: Halle Berry’s Mixed Martial Arts Drama Doesn’t Quite Hit The Mark
November 18, 2021
by Oscar Kim Bauman, Arts & Culture Editor
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Kyle Shin ’20 Discusses Musical Expression and Upcoming EP “Always Autumn”
November 15, 2021
by Oscar Kim Bauman, Arts & Culture Editor
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Cross Talk: “Eternals” Is a Fascinating Marvel Misfire
November 8, 2021
by Jem Shin, Oscar Kim Bauman, Arts & Culture Editor, News Editor
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“Dune” is a Stunning Adaptation of a Foundational Sci-Fi Text
October 28, 2021
by Oscar Kim Bauman, Arts & Culture Editor
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“The Card Counter” is a Grim Cinematic Look at The War on Terror’s Demons
September 30, 2021
by Oscar Kim Bauman, Arts & Culture Editor
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Return of Film Series Brings a Diverse Array of In-Person Movie Offerings to Campus
September 23, 2021
by Oscar Kim Bauman, Jacob Silberman-Baron, Arts & Culture Editor, Contributing Writer
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Excitement and Anxiety Surround the Return of Live Music
September 9, 2021
by Oscar Kim Bauman, Arts & Culture Editor
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Oscar on the Oscars: 93rd Academy Awards Deliver a Fittingly Offbeat Ceremony
April 29, 2021
by Oscar Kim Bauman, Arts & Culture Editor
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Oscar on the Oscars: Picking Favorites from the Nominees
April 23, 2021
by Oscar Kim Bauman, Arts & Culture Editor
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Oscar on the Oscars: Groundbreaking Nominees Refresh the 93rd Academy Awards
March 18, 2021
by Oscar Kim Bauman, Arts & Culture Editor
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The Weeknd Brings the Strange and the Spectacular to the Super Bowl Halftime Show
February 11, 2021
by Oscar Kim Bauman, Nora Knoepflmacher, Olivia Sharenow, Arts & Culture Editor, Contributing Writer, Contributing Writer
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The 2021 Golden Globes: Delayed Nominees Still Reliably Controversial
February 11, 2021
by Oscar Kim Bauman, Will Lee, Arts & Culture Editor, Assistant Arts & Culture Editor
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In Bring Me the Horizon’s “Post Human: Survival Horror” EP, The Apocalypse is Channeled
December 3, 2020
by Oscar Kim Bauman, Staff Writer
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“The Trial of the Chicago 7”: A Period Piece For the Current Moment
October 22, 2020
by Oscar Kim Bauman, Staff Writer
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10 Years Later, “The Social Network” Still Has Plenty to Say
October 8, 2020
by Oscar Kim Bauman, Staff Writer
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How I Went Back to the Movies: Seeing “Tenet” While Wearing a KN95
October 5, 2020
by Oscar Kim Bauman, Contributing Writer
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BUMPER’s “pop songs 2020”: A Soundtrack for the Summer of Quarantine
September 18, 2020
by Oscar Kim Bauman, Contributing Writer
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