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Late Night at Usdan and Uninhibited Socialization: Remembering Pre-COVID-19 Wesleyan with the Class of 2023

A Reflection on Learning to Care About Hockey

Original Musical “Crush! Crush! Crush!” Blends Romantic Drama With Creative Metanarrative

WSA Votes to Establish Student Accessibility Subcommittee Under Equity and Inclusion Committee

A Brief Guide to Smoothies at Wesleyan

“Beef” on Netflix Is a Searing Slice of Asian American Anger

In “Baby J,” John Mulaney Blends Vulnerability With Precision

AASC Hosts Lynn Chen ’98 for “I Will Make You Mine” Film Screening

“John Wick: Chapter 4” Is an Exhilarating, Violent Thrill Ride

On 10,000 gecs, 100 gecs Keeps Us Guessing

Oscar on the Oscars: Groundbreaking Winners and a Well-Staged Ceremony at the 95th Academy Awards

Fall Out Boy Breaks Exciting New Ground on So Much (For) Stardust

Oscar on the Oscars: This Year’s Best Snubbed Films, from “Nope” to “Decision to Leave”

Black History Month Eclipse Event Shines Spotlight on Black Student Creativity at the Workshop

Paramore’s This Is Why Is a Compelling, if Unpolished, Portrait of Burnout

“Bruiser,” Directed by Miles Warren ’19, Brings Exploration of Black Masculinity to Film Series

Oscar on the Oscars: Diving Into the Eclectic Nominees for the 95th Academy Awards

My 2022 in 10 Albums

Letter From the Editors: Reflections on the Fall Semester

Rian Johnson’s Sharply Entertaining “Glass Onion” is a Worthy Sequel to “Knives Out”

My Multiracial Role Model, Spock

Reflections on Asian American Identity and Musical Expression From a Meaningful Homecoming Weekend with Kyle Shin ’20

From the Argives: The History of Metro Movies, a Middletown Mainstay

Cross Talk: “Bros” is a Romantic Comedy with Both Laughs and Insight

The Case For Watching Old Movies

Weezer Finds Fresh Feel for Fall on SZNZ: Autumn EP

Letter From the Editors: Hallie Sternberg ’23 and Oscar Kim Bauman ’23

Return of Mabuhay Showcase Highlights Pan-Asian Culture

“Everything Everywhere All at Once” Lives Up to Its Title

“Better Luck Tomorrow” Presents a Bleak, Powerful View of Asian American Life

April Film Screenings Celebrate Asian and Asian American Culture

Oscar on the Oscars: A Televised Fever Dream at the 94th Academy Awards

“The Batman” Nails the Core of its Titular Hero

Oscar on the Oscars: A Toast to the Snubbed

James Gunn’s “Peacemaker” Perfects Superhero Streaming TV

Oscar on the Oscars: The Academy Tries to Find a New Normal

Film Series Honors Sidney Poitier’s Legacy With “In the Heat of the Night” Screening

Spring Has Sprung: An Exciting Semester Ahead in the Arts

Ten Albums That Brightened My 2021

“Bruised”: Halle Berry’s Mixed Martial Arts Drama Doesn’t Quite Hit The Mark

Kyle Shin ’20 Discusses Musical Expression and Upcoming EP “Always Autumn”

Cross Talk: “Eternals” Is a Fascinating Marvel Misfire

“Dune” is a Stunning Adaptation of a Foundational Sci-Fi Text

“The Card Counter” is a Grim Cinematic Look at The War on Terror’s Demons

Return of Film Series Brings a Diverse Array of In-Person Movie Offerings to Campus

Excitement and Anxiety Surround the Return of Live Music

Oscar on the Oscars: 93rd Academy Awards Deliver a Fittingly Offbeat Ceremony

Oscar on the Oscars: Picking Favorites from the Nominees

Oscar on the Oscars: Groundbreaking Nominees Refresh the 93rd Academy Awards

The Weeknd Brings the Strange and the Spectacular to the Super Bowl Halftime Show

The 2021 Golden Globes: Delayed Nominees Still Reliably Controversial

In Bring Me the Horizon’s “Post Human: Survival Horror” EP, The Apocalypse is Channeled

“The Trial of the Chicago 7”: A Period Piece For the Current Moment

10 Years Later, “The Social Network” Still Has Plenty to Say

How I Went Back to the Movies: Seeing “Tenet” While Wearing a KN95

BUMPER’s “pop songs 2020”: A Soundtrack for the Summer of Quarantine

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