Margaret Atwood’s “Dearly”: A Comprehensive Evaluation of Loss, in All Its Forms
Margaret Atwood’s new book is deceptively thin with a bouquet of flowers on the cover that suggests something romantic and ...
Arts & Culture
“Just A Massacre of Onion Layers:” A Review of “Bring Me the Head of Quentin Tarantino” by Juliàn Herbert
On Nov. 3, the short story collection “Bring Me the Head of Quentin Tarantino” by Juliàn Herbert was published for ...
In Documentary Series on Relationships, Maddie Nagler ’22 is “Finding Those People”
Since the beginning of the summer, Maddie Nagler ’22 has been filming and posting episodes of “Finding Those People,” a ...
Book Review: In Gloria Chao’s “Rent a Boyfriend,” The Boyfriend Isn’t the Point
Gloria Chao’s new novel “Rent A Boyfriend” is set to release on Tuesday, Nov. 10. While the book’s fake dating premise ...
Cross Talk: “Megamind,” Ten Years Later
In “Crosstalks,” two writers sit down to discuss a book, movie, TV show, or piece of art they both feel ...
2020 Presidential Election Day: Photo Series
c/o Ava Nederlander, Photo Editor c/o Tanvi Punja, Photo Editor c/o Henry Weed, Assistant Photo Editor ...
In the Zilkha Gallery, “A Sculpture, A Film, and Six Videos” Explores Alternative Temporalities
If you walk into the Ezra and Cecile Zilkha Gallery (Zilkha Gallery) at the University’s Center for the Arts this ...
After Release of Short Film “The Bathtub,” Alessandro Sassi ’21 Discusses Process and Plans
The Argus interviewed budding filmmaker Alessandro Sassi ’21 on his latest and first film “The Bathtub,” a film in which a man who lives ...
Borat “Very Nicely” Tackles 2020’s Biggest Obstacles
I’ll always remember the first time I saw a Sacha Baron Cohen movie. I was about 12 years old and ...
In “SLABBER,” Contagion Brings Closeness
This semester, I have been hard at work—along with the rest of the University’s Theater Department—on creating a show that ...