In the Original Musical “Part of Us,” Letting Go is Letting In
In “Part of Us,” each character is a stranger in their own body. There’s Adam (Amira Leila Suntana ’20), a ...
Arts & Culture
Cinefiles 1/31– 2/3
Welcome to the new year! I think we all can agree that 2017 long overstayed its welcome, and 2018 could ...
“Call Me by Your Name” Poorly Represents the Queer Community
After a handful of my friends had been badgering me to see it for weeks, I finally watched “Call Me ...
Point-Counterpoint: “The Last Jedi”
In “Point-Counterpoint,” two of our editors debate the merits of a work of pop culture. Here, Arts Editors Connor Aberle ...
“Lovesick” is One of Netflix’s Hidden Gems
This review contains spoilers for Seasons 1 and 2 of “Lovesick.” “Finding love is all heartbreak, disappointment, and misery…until it ...
Porches’ The House Showcases Maine’s Continued Growth
Porches released its third album, The House, on Friday, Jan. 19 via Domino Recording Company. At 14 tracks, The House is ...
Paul Thomas Anderson’s “Phantom Thread” Doesn’t Stitch Together
Paul Thomas Anderson’s “Phantom Thread” follows an haute couture dressmaker, Reynolds Woodcock (Daniel Day-Lewis) through the ultra-rich and stuffy high-fashion ...
“The Shape of Water”: Beautiful, but Flounders
Inspired by “The Creature from the Black Lagoon,” a 1950s monster flick, Guillermo del Toro’s “The Shape of Water” is ...
“The End of the F***ing World” Marries Teen Angst and Dark Comedy
It always seems that right after the success of one Netflix original show, the popular television and movie streaming site ...
Cinefiles 12/6 – 12/9
It goes without saying that in this final stage of classes, you're all probably suffering from an outlandish and unreasonable ...