“Reclaiming the Gaze” Lauds Black Art at Davison Art Center
The intrepid souls who braved Wednesday’s miserable weather to attend the opening of the Davison Art Center’s latest exhibition were ...
Arts & Culture
Cinefiles 2/7-2/10
We’re moving into our third week of the calendar tomorrow and we are champing at the bit to tell you all ...
“Man with a Movie Camera” Reinforces the Power of Film Decades Later
Dziga Vertov’s 1929 film “Man with a Movie Camera,” was screened at the film series this past Saturday. Though heralded ...
Written in the Stars: Feb. 6
What’s up, Argus readers? It's 2018 and Written in the Stars is back to give you the scoop on the ...
“The Marvelous Mrs. Maisel:” A Contrived Guilty Pleasure that Moves
“For Christmas, a gentile would get a bike as a reminder that their parents love them. For Hanukkah, we would ...
“Greatest Showman” is Imperfect Fun
If you've so much as thought about “The Greatest Showman,” chances are you had one of two reactions: a squeal of ...
“A Body in Fukushima” Beautifully Re-Creates a Painful History
Eiko Otake’s choreography is both bold and theatrical. How then might she translate this theatricality and choreography into “A Body in ...
Season 4 of “Black Mirror” is Technically Stunning but Technologically Disappointing
Editor’s Note: This review contains spoilers. I was highly anticipating the arrival of Season 4 of Netflix’s “Black Mirror”—and so ...
In the Original Musical “Part of Us,” Letting Go is Letting In
In “Part of Us,” each character is a stranger in their own body. There’s Adam (Amira Leila Suntana ’20), a ...
Cinefiles 1/31– 2/3
Welcome to the new year! I think we all can agree that 2017 long overstayed its welcome, and 2018 could ...