In “Talking to Strangers,” Malcolm Gladwell Talks Forever, Says Little
I might as well get the embarrassing part of this review out of the way right off the bat: I ...
Arts & Culture
Cinefiles 10/9-10/12
It’s hard to believe that we’re already nearing the end of our first Film Series calendar of the semester! We ...
Yerushalmy’s “Paramodernities” Deconstructs Iconic Works of Choreography
Content Warning: Sexual violence On Friday, Oct. 4, Wesleyan’s CFA theater hosted the Connecticut Premiere of New York City-based dance ...
Professor’s Playlist: Bach and Daniel Johnston
Looking for some new music to listen to? Well, look no further, your professors just might have the answer. In ...
Staying On Key: Student Songwriters Discuss Their Craft
On my third day here at Wesleyan, amid the chaos of orientation, I sat outside of Usdan, anxiously awaiting my ...
“God’s Ear” Is a Fragmented Exploration of Tension and Grief
A quick Google search in preparation for this weekend’s student production of “God’s Ear”—which opened yesterday in the ’92 Theater—afforded ...
Cross Talk: Parsing the Legacy of “Transparent”
In “Crosstalks,” two writers sit down to discuss a book, movie, TV show, or piece of art they both feel ...
Brenden Fernandes’ “Inaction” Queries Visibility
On Wednesday, Oct. 2, Brendan Fernandes’ “Inaction” transformed the Zilkha Gallery into a space inspired by the queer nightclub, in a ...
Cinefiles 10/2–10/5
It’s another wonderful week at the Wesleyan Film Series, and it may be our most varied week yet! We move ...
One Day Plays Return (Messier Than Ever) to Wesleyan Stage
“This is going to be a shit show,” Pryor Krugman ’20, one of this year’s One Day Play “overlords,” yelled to ...