Who Wore it Wes: Nikku Chatha ’16
Nikku Chatha ’16 has a refined appreciation for old-school tailoring and a professor-inspired look. Chatha turns to his Indian roots ...
Arts & Culture
Indian Hill Revives “R&G Are Dead”
It’s hard to find a better example of metatheater than Tom Stoppard’s “Rosencrantz and Guildenstern & Dead.” The play follows ...
“Unfriended” Trolls Horror’s Online Obsession
It seems as though once a month, the Lifetime channel releases a new film about cyberbullying, each subsequent entry into ...
The National’s Alligator Celebrates Ten Years of Weariness
There are few bands as preoccupied with the petty ravages and triumphs of aging as Brooklyn’s The National. Record after ...
Rebel, Without Heart: Madonna’s Latest Album Fails to Sustain Her Image
There are many reasons why one likes a certain type of music at a certain time. For me, it’s that ...
“The Bald Soprano” Brutally and Brilliantly Baffles Bystanders
Wesleyan’s production of “The Bald Soprano” goes to great lengths to ensure its audience is very clear on what they ...
“While We’re Young” Welcomes a Changing World
“While We’re Young,” the latest feature from director Noah Baumbach, is a tricky film, by turns both warm and bitter. ...
Giants, Ghosts, and Wolves Prowl “Into the Woods”
You may have seen some dramatically whimsical posters around campus recently promoting Second Stage’s current production of “Into the Woods,” ...
“Really Really” Invokes Empathy in Realistic Sexual Assault Drama
Four years at Wesleyan have exposed me all types of theater, from a student-written play consisting solely of palindromes to ...
Who Wore it Wes: Sophie Chabon ’17
Sophie Chabon ’17 came to Wes from Berkeley, Calif., with a relaxed androgynous style that matches the cultures of both. ...