“Man with a Movie Camera” Reinforces the Power of Film Decades Later
Dziga Vertov’s 1929 film “Man with a Movie Camera,” was screened at the film series this past Saturday. Though heralded ...
Arts & Culture
Written in the Stars: Feb. 6
What’s up, Argus readers? It's 2018 and Written in the Stars is back to give you the scoop on the ...
“The Marvelous Mrs. Maisel:” A Contrived Guilty Pleasure that Moves
“For Christmas, a gentile would get a bike as a reminder that their parents love them. For Hanukkah, we would ...
“Greatest Showman” is Imperfect Fun
If you've so much as thought about “The Greatest Showman,” chances are you had one of two reactions: a squeal of ...
“A Body in Fukushima” Beautifully Re-Creates a Painful History
Eiko Otake’s choreography is both bold and theatrical. How then might she translate this theatricality and choreography into “A Body in ...
Season 4 of “Black Mirror” is Technically Stunning but Technologically Disappointing
Editor’s Note: This review contains spoilers. I was highly anticipating the arrival of Season 4 of Netflix’s “Black Mirror”—and so ...
In the Original Musical “Part of Us,” Letting Go is Letting In
In “Part of Us,” each character is a stranger in their own body. There’s Adam (Amira Leila Suntana ’20), a ...
Cinefiles 1/31– 2/3
Welcome to the new year! I think we all can agree that 2017 long overstayed its welcome, and 2018 could ...
“Call Me by Your Name” Poorly Represents the Queer Community
After a handful of my friends had been badgering me to see it for weeks, I finally watched “Call Me ...
Point-Counterpoint: “The Last Jedi”
In “Point-Counterpoint,” two of our editors debate the merits of a work of pop culture. Here, Arts Editors Connor Aberle ...