Author: Michael Montoya

  • “Genealogy of the Fall” and “Revelations or North of Phoenix”: Poetry from Michael Montoya ’20

    “Genealogy of the Fall” and “Revelations or North of Phoenix”: Poetry from Michael Montoya ’20

    Dani Smotrich-Barr, Photo Editor
    Dani Smotrich-Barr, Photo Editor

    Genealogy of the Fall

    Mom and Dad gathered us at the edge

    of forest where we played house,

    picked plucked leaves of grass, sieved  

    dirt through our hands. We breathed

    deeply; fresh pine air sweet like

    the broken boy

    watching Douglas Fir

    in the kitchen.

     

    Suppose that we are the needles

    connected to the tree—slowly browning and falling

    to forest floor. Now we are fiddleheads curled so tight,

    rising from the duff.

     

    We are petrichor—a home

    created just for us in the mud puddles,

    not interlaced with the roots that kept us

    grounded. We are flying. We plant

    in the same soil. But suppose

    a gust blew us past our plot.

     

    //

     

    Gathered at the edge of the forest

    muted and monotone under the mossgilded hemlock

    Papa set my piano on fire, the strings

    whip the flames as Ivory

    mourns its second death. A first love

    ablaze. A boy in lipstick and red heels,

    whose colors are to be charred black;

    call it Nocturne in bruised black flats

    with a righteous choice and it only took a fire,

    the disappearance of lipstick. The death

    of starlit music. He prays

    to fall among the duff.

    Revelations or North of Phoenix

    1:1

    She has reinvented your world at least twice

     

    At five she told you to pray for the ocean;

    you became a Christian.

    At fourteen she told you that God wasn’t shit.

     

    You sunk six years into the crimson stitches

    of the church pew

    for the revelation:

     

    you don’t know what to believe.

     

    2:1

    Today, four generations of women sit at the table:

     

    Helen (the guardian of family history), Verna (the painter and romantic),

     

    Vicky (the gardener), Mary (the nurse),

     

    Tiffany (who makes sure your father doesn’t fuck up),

     

    Your sister (the activist – reason for this gathering).

     

    1:2

    “Somewhere on cedar planked

    park bench, two men have committed

    a crime against God and themselves”

     

    2:2

    Fifty-two minutes ago,

    she walked herself

    down the aisle

    treble clefs gilding

    her ears, great-

    grandmother’s lace dress,

    sweet smile

    zero fucks.

    2:3

    You wipe tears streaming from your left cheek and meekly raise a toast,

    “To her, for creating footsteps for me to walk in.”

     

    1:3

    It takes six years for you to realize you don’t know what you believe;

    one day to realize they don’t believe in you.

     

    3:1

    Your father, inspired, stands for his second toast:

    “Hallelujah, a 2015 vintage port.”

     

    3:2

    When they finally fished the gold earring out of the sink, clef’s coils constricted

    curling around his collar. She had loved them, but

    after he pushed her down eleven steps,

    she loved herself enough to jump out the window.

     

    1:4

    Most of these people will not be at your wedding day

    but they still come over and half-heartedly compliment

    your black and white floral suit which screams

    the redyellowpurple you brought into your life

    the day you left.

     

    3:3

    He doesn’t get a final word.

     

    2:4

    The only witness you need is your sister,

    who taught you to fight

    with wings on fire.